Forming the Image of Ukrainian Theater in the 21st century
DOI:
https://doi.org/10.17721/CIMC.2024.36.12-20Keywords:
theater image, modern technologies in theater, innovations in the theatrical process, audience reaction, development of theatrical artAbstract
The article examines the process of forming the contemporary Ukrainian theater’s image in the twenty-first century. The author analyzes the key aspects that influence the creation and establishment of the theater’s image in the contemporary cultural context. The main thematic areas include theatrical experimentation, the use of modern technologies in productions, interaction with the audience, and the role of theater in shaping public consciousness. The article aims to reveal the unique features of contemporary Ukrainian theater and its impact on the cultural image of Ukraine in the twenty-first century. In addition, the article examines the impact of socio-cultural changes, political events, and globalization on the image of Ukrainian theater, focusing on how these factors affect the themes, style, and aesthetics of contemporary performances. The study covers aspects of theater art, from the creative process to interaction with the audience through various formats of performances and performances. Innovative approaches to theatrical art, including the use of modern media technologies, experimental methods of acting and innovative scenic solutions are highlighted. The article also analyzes the reactions of viewers and critics to innovative approaches in theater productions, as well as their reflection in the media and social networks. The article identifies the main trends and challenges that accompany the formation of the image of Ukrainian theater in the twenty-first century and considers the possibilities for further development and improvement of its art in the context of modern challenges and audience expectations.Downloads
References
Vasylenko, D.P., Skryl, P.V., & Titova, V.D. (2022). Marketing and PR-communications in the context of promoting theater. Culture and Modernityб 2, 36-41.
“Costrubisms. Kumanovsky” – is a landmark event in art life of a country during the lockdown. https://garmyder.org/kostrubizmy
Picon-Valin, B. (2010). Videoaparatura v teatri: Istoria I aktualnist [Videoequpment in theater: History and relevance]. Kurbasivski Chytannia [Kurbas Readings
Radzihovska, O. Yak zrozumity suchasnyi teatr? Guide vid ukrainskykh teatralnyh rezhyseriv [How to understand modern theater: A guide from Ukrainian theater directors]. https://bit.ua/2019/11/theatre-2/
Teatralna laboratoria [Theatrical laboratory]. Information. https://artarsenal.in.ua/uk/laboratoriyi2/teatralna-laboratoriya/.
tendentsiy u teatralniy haluzi Ukrainy [7 trends in theaters of Ukraine]. https://www.culturepartnership.eu/ua/article/ua-theatre
Causey, Matthew. (2006). Theatre and Performance in Digital Culture: From Simulation to Embeddedness. Routledge, 230 с.
Graham, К. (2016). Active roles of light in performance design. Theatre and Performance Design, 2, 73–81. https://www.tandfonline.com/doi/full/10.1080/23322551.2016.1178006.
Dokumentalnyi film pro hurt Dakh Daughters vyhodyt v ukrainskyi prokat [Documentary about the band Dakh Daughters is being released]. https://www.village.com.ua/village/culture/culture-news/333073-dokumentalniy-film-pro-gurt-dakh-daughters-vihodit-v-ukrayinskiy-prokat
Downloads
Published
Issue
Section
Categories
License
Copyright (c) 2024 Serhii Vazhynskyi
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors published in this journal agree to the following terms:
a. Authors reserve the right to author their work and transfer to the journal the right to first publish this work under the CC BY 4.0 license, which allows others to freely distribute the published work with mandatory reference to the authors of the original work and the first publication in this journal.
b. Authors have the right to enter into independent additional agreements on non-exclusive distribution of the work in the form in which it was published in this journal (for example, to place the work in the electronic repository or publish in a monograph), provided that the link to the first publication in this journal.
c. The journal's policy allows and encourages authors to post manuscripts on the Internet (for example, in repositories or on personal websites) both before the submission of this manuscript and during its editorial processing, as it promotes productive scientific discussion and has a positive impact. on the efficiency and dynamics of citing published work.